Baroque

2 heures de pratique de la Belle Dance chaque soir pendant 5 jours avec des chorégraphies sur les musiques à danser d'Alcina de Haendel : Gavotte, Sarabande, Musette, Menuet, Tambourin. Ouvert à tous les niveaux et à tout le monde… car si vous n'êtes pas à Paris, vous pouvez suivre le stage en ligne !

Cours journaliers de danse baroque du 12 au 17 juillet 2021, tous niveaux, dans le cadre d'un stage de musique ancienne. Possibilité de cumuler plusieurs disciplines. Concerts et conférences inclus.

Daily baroque dance classes from July 12 to 17, all levels, during an early music workshop. It is possible to sign up for several courses (singing or instrument). Concerts and lectures included.

„Der Tanz enthält alles, was zu einer schönen Sprache notwendig ist“, schrieb ein bekannter Tanzmeister aus dem 18. Jahrhundert. Damit meinte er nicht nur das Alphabet der Schritte, sondern auch den Rhythmus der Sätze und den Ausdruck der verschiedenen Tänze. Die vornehme Gesellschaft an den Höfen Europas redete gerne, und widmete sich auch der Tanzsprache voller Hingabe. Große und kleine Feste waren ohne Tanz nicht denkbar. In diesem Kurs werden die barocken Basisschritte erarbeitet und in einfachen Tänzen zu einem ausdrucksreichen Ganzen verbunden.

Allgemeine Tanzerfahrung wird empfohlen. Bitte bringen Sie bequeme Tanzkleidung mit und Schuhe mit flexibler Sohle, ohne oder mit kleinen Absätzen (max. 3 cm).

Kurszeiten: Sa/So 10:00-14:30 Uhr (inkl. 30 Min. Pause)

Anmeldung über: www.mvhs.de

Für nähere Informationen über das aktuelle Hygienekonzept:
www.mvhs.de/ueber-uns/presse/hygienekonzept-der-muenchner-volkshochschu…
 

Vorebereitungswochenende für den 9. Zürcher Barockball:

In der Zeit der Régence (1715-1723) scheinen die urfranzösischen 2-Paar-Cotillons in Paris ihren Siegeszug anzutreten. Kein Wunder: das französische Schrittmaterial beschränkt sich darin auf ein (rasch lernbares) Minimum und das Vokabular ihrer Formensprache ist auch sehr übersichtlich.

Wir widmen uns diesen aufstrebenden Cotillons ebenso wie den im Niedergang begriffenen Longways. Dabei richten wir unser Augenmerk und unsere Fussarbeit auch auf den Unterschied zwischen den "Contredanses en colonne à l'anglaise" und den "Contredanses en colonne à la française".

Choreographien aus

• Ms DURLACH 209/210 "Chorégraphie 1 und 2" c.1720
• Recueils de Contredanses 1706 (Feuillet), 1708 (Feuillet), 1712 (Dezais), 1717 (Jayme)

Buchen

Tanzmusik

Der unbekannte Riese – Die Passacaille de Scylla

Diese längste aller bekannten Passacaillen (219 Takte) ist der heute barocktanzenden Welt vermutlich gar nicht so bekannt, weil es noch keine Einspielung der Musik gibt. Das mag u. a. daran liegen, dass Theobaldo di Gatti, der Komponist der Oper „Scylla“, derzeit noch im Schatten seiner berühmteren Kollegen wie z. B. Lully oder Campra steht. Wir haben den großen Vorzug, dass wir in diesem Sommerkurs die schöne Musik der Passacaille live gespielt bekommen und uns der Aufgabe stellen können, diesen immens langen Tanz einzustudieren. Die Choreographie ist von Louis Pécour (Sammlung Feuillet 1704) und wurde von einer der großen Ballerinen der Pariser Oper, Therèse de Subligny getanzt. Auf Wunsch wird die Choreographie (Feuillet-Notation) vor dem Kurs zugeschickt. Bleibt uns noch Zeit, wollen ein kurzes Ballet nach einer Vorlage von Samuel Rudolf Behr erarbeiten, wobei wieder viel eigene Kreativität gefragt sein wird.

Wir tanzen überlieferte  Gesellschaftstänze  vergangener Epochen zur Musik des 16. - 19. Jahrhunderts.
Reigen, Kontratänze und Quadrillen sind sehr beliebte Formen und werden paarweise in einer Gruppe getanzt.

Alle Tanzfreudigen - mit oder ohne Partner - sind herzlich willkommen zum Schnuppern, Mitmachen, Lernen ...
Geselligkeit, Freude an Bewegung, klassische Musik - eine geniale Kombination!

www.höfischer-tanz.at

Zum diesjährigen Sommerseminar würdigen wir den 340sten Geburtstag des deutschen Komponisten Georg Philipp Telemann. Zu seinem umfassenden Werk zählen auch viele Tänze wie Sarabanden, Menuette, Bourées und mehr. Diese bieten uns einen großen Fundus zum Üben des Barocken Schrittmaterials und der Arbeit mit den Originalen Choreographien des 18. Jahrhunderts. In Telemanns Suiten zu literarischen Werken wie Gullivers Reisen oder Don Quijote offenbart sich Humor und Fantasie, die auch in unserem Sommerseminar nicht zu kurz kommen werden.

Die Vormittagskurse werden für drei unterschiedliche Niveaus im Barocktanz gehalten:
Anfänger und leichte Vorerfahrung: →  Jutta Voß
Intermediate: →  Pia Brocza.
Fortgeschrittene: →  Bernd Niedecken.

Der Besuch der Nachmittagskurse ist optional.

Offene Stunde für alle: →  Technikstunde    mit Bernd Niedecken

Danach geht es in den einzelnen Klassen weiter, die sich jeweils sowohl an Anfänger als auch Fortgeschrittene richten und über Telemanns humorvolle Suiten eine darstellerische Tanzszene erarbeiten.
→  Eine Choreographie zu Musik von Telemann    mit Jutta Voß

→  Gullivers Reisen    mit Pia Brocza  

→  Don Quijote   mit Bernd Niedecken

An einigen Abenden gibt es auch Aktivitäten wie Kontratanz, Spaziergang und einen gemeinsam gestalteten "Darbietungs-Abend". Zum Abschlußabend am Samstag werden wir - hoffentlich - im Benediktussaal des Stifts Seitenstetten einen schönen Ball feiern, mit Kontratänzen und einem Buffet. Den Abschlußabend möchten wir im Kostüm verbringen. Neben historischem Kostüm von Barock bis Rokoko sind auch geschickte historisierende Improvisationen gerne gesehen wie Figuren aus Don Quijote oder Gullivers Reisen!

Alle weiteren Informationen und Preise auf unserer Homepage -> hier!

Sowie in der angehängten Ausschreibung und dem Anmeldeformular.

Due to the current health crisis and despite our attachment to the Tapis Vert in Normandy, the 6th edition of the summer courses of historical dance organized by chestnut in collaboration with Danses au (Pas)sé et HéliosKine will take place this year in Paris.

A good opportunity to experience Paris differently ! ....

This 6th edition retains all the advantages that make the success of these Summer Courses for 5 years! :

- 2 courses, 2 repertoires, 3 workshops 

- the possibility to build your program according to your tastes and your energy. According to your wishes, you can concoct an intensive program (with a maximum of 6 hours of lessons/ day) or alternate in your day the moments of workshop with moments of relaxation or visit in Paris or its surroundings.

- studios adapted to the practice of dance

- a training place close to many cultural sites (Micadanses studios are close to the City Hall)

Please find all détails on chestnut website 

1. Periods and contents

2. Schedule

3. Workshop description

4. Instructors

5. Location

6. Fees

7. How to get there

8. Registration

9. Contact

10. Flyers

PERIODS and CONTENTS

1. COURSE n° 1 from Saturday 17 to Wednesday 21 July

• 1. English Country Dances / Cécile Laye (Chestnut)
• 2. Baroque dances / Irène Feste (Danses au (Pas)sé) 

2. COURSE n° 2 from Tuesday 27 July to Saturday 31 July

• 1. English Country Dances / Cécile Laye (Chestnut)
• 2. Baroque dances / Pierre-François Dollé (HéliosKine)

WORSHOPS' DESCRIPTION 

COURSE n° 1 from Saturday 17 to Wednesday 21 July

1. English Country Dances (3 hours / day) / Cécile Laye 

Programme: "Homonymous dances"

They are dances using the same music for different choreographies from ancient and modern repertoire: Le Basque (Cécile Laye); Kneeland Romp (Gary Roodman);Virgin Frolick (The Dancing Master, 1710);Hand to hand (Gary Roodman); The Merry Milkmaids (The Dancing Master, 1651 and 1728 versions) ; A trip to Macclesfield (Brian Wedgbury); An Enchanted Place (Antony Heywood); two versions of Drapers Gardent (The Dancing Master, 1706) including one in menuet steps.

and / or

2. Baroque dances (3 hours / day) / Irène Feste 

Programme: "Unique choreographic scores"

• Entrée de l’Amiral de France en 1756 par M. Dupré (FL/Ms20.1/01)
• La Nouvelle Bourrée des Princesses par M. Rameau (FL/1728.1/14)

The singularity of these scores comes from the fact that they are the only dances choreographed, respectively by M. Dupré and by Pierre Rameau, which have reached us to this day.
Each of these choreographic scores is in a collection to learn the art of writing or describing dance.
After Raoul-Auger Feuillet’s “Chorégraphie….” in 1700, other dance masters tried to write a method.

La Bourrée des Princesses by Mr. Rameau, a dance for a man and a woman, is featured in the “Abrégé de la nouvelle Méthode dans l’Art d’écrire ou de tracer toutes sortes de Danses de Ville…” , by Pierre Rameau, published in 1728.

The Entrée de l'Amiral de France by M. Dupré, is described and noted in the “ Méthode pour apprendre de soi-même la Chorégraphie, ou l’Art de décrire…” , de Dupré, Maître à danser au Mans, published in 1757.
This is a ballet entrance for a man, quite approachable for a woman!
We will also see together that there is a surprise.

COURSE n° 2 from Tuesday 27 July to Saturday 31 July

1. English Country Dances (3 hours / day) / Cécile Laye 

Programme: "From the Grand Square to the Square of Mahony"

From the old and modern directories, we will work on the evolution of a figure from the 17th century to the present day.The program will allow dancers to work with different aesthetics and proposals. The following dances will be included: Hunsdon House (The Dancing Master, 1670); Little Hunsdon (Pat Shaw); Les Lanciers (Alexander Strathy version, 1822); La Beaudri (La Cuisse, 1762);Cupid’s Garden (Marjorie Heffer); Play to win (Antony Heywood); Mary K (Gary Roodman)

and / or

2. Baroque dances (3 hours / day) / Pierre-François Dollé

Programme: "Les Caractères de la danse, fantaisie musicale de Jean-Fery Rebel"

After a gentle warm-up, mixing a moment of relaxation and body reconnection with progressive stretches, we will tackle together the technique of the «Belle Dance», returning to the fundamentals of all the steps necessary for the easy practice of this technique.

In a second time, we will explore the famous «Caractères de la danse», musical fantasy of Jean-Fery Rebel, a kind of exercise of style, which unfolds, like a thread of Ariane, most of the dances of ball and theatre in use in the first quarter of the eighteenth century.

After a prelude allowing the customary reverences, we will have pleasure to dance the Courante, the Menuet and the Bourrée, ball dances par excellence, then to travel in a lively and dense Chaconne, a Sarabande, a Gigue, a Rigaudon, a Passepied, a Lourre, a pastoral Musette to finish with an Italian Sonata, a sort of window open to a new fashion to come

These Characters of Dance were performed by many artists in the 18th century, including the dancers Marie Sallé and Marie-Anne de Camargo, who choreographed and danced them on the French and English stages in particular.
When Marie Sallé moved the audience with her sensitivity and charm, the Camargo impressed the Parisian public with its mastered technique, its jumps and its chats!

It is this whole range of intentions and styles that, in a choreography created by myself, in an idea of progression, we will study together, for the pleasure of dance, movement and the emotions that dance gives us.

Let’s dive together into these famous «characters», mythical piece if any!

INSTRUCTORS

Cécile LAYE

Cécile Laye is CHESTNUT’s teaching and artistic director. She studied old dance forms in England with the Dolmetsch Historical Dance Society,  Nonsuch History and Dance and EFDSS (English folk Dance and Song Society). She worked in particular under such famed teachers and researchers as  Anne Daye, Anne Cottis, Peggy Dixon, Ethyl Anderson, Marjorie Fennessy, Tom Cook and Alan Davies. In France she studied with Francine Lancelot, Andréa Francalancci and Barbara Sparti. At the end of the eighties, she founded AMARILLIS, a dance company meaning to bring to the public figure dances of the Stuarts’ time and the English inheritance, as well as some aspects of history and literature, with the collaboration of musicians and singers. AMARILLIS was replaced by CHESTNUT in 1998. CHESTNUT took over its predecessor’s artistic activities (creating dance and theatre shows), its teaching (preparing dancers for Balls through a rich program of workshops and classes) and its publication ones (CDs, dance descriptions, articles on Playford and modern dances). Over the years, Cécile LAYE has build up a strong experience as a dancing master and ball caller (French Renaissance balls/ English figure dances balls, or a mixture of both). She can pass on her taste for and pleasure in elegant dancing to beginners as well as seasoned dancers. Besides her activities in the field of dancing, Cécile Laye studied dramatic art and staging, graduating at Cours Florent. She also graduated at Eva Ruchpaul’s Yoga Institute and the Paris school of Gestalt-therapy. She played Shakespeare, Molière and Marivaux in Paris and elsewhere in France and takes part in creating new plays and shows, for children in particular. She draws on both sides of her extensive training, physical and artistic, to develop her teaching method. Her constant aim is to understand the needs of a given group and of each person making up the group, to build up a class so that each person gradually understands the dance, becomes aware of his/her body and its expressive capacities, be it during a lesson, a ball, or on stage.

Irène FESTE

From an early age, Irène Feste trained in classical dance with J. Pelletier, Y. Meyer, S. Prince and M. Denard.After a Master Engineer in Telecommunications and Networks and her Diploma of teacher of Classical Dance, she discovered Belle Dance and Baroque Eloquence awith the Cie L'Eclat des Muses de C. Bayle (Le Ballet de la Merlaison).She was introduced to the Italian Renaissance style with B. Sparti and G. Giordano. She is a performer in France and at the International for: Divertimenty, Les Corps Eloquents, Le Baroque Nomade, La Tempesta, Doulce Mémoire, Il Ballo and is choreographer-interpreter of Cie Fantaisies Baroques, co-founded with P.-F. Dollé (Danceries en Fables, L'Ile des Esclaves, 1717: Les Honneurs faits au Tsar, Métamorphoses - le Chat Botté...) In 2013 and 2019, she choreographed for director Pascal Ruiz: Le Masque d'Or, Le Secret des Mémoires. In 2015, she participated in the BBC’s The King who invented Ballet, for the tercentenary of the death of Louis XIV. Artist performer, choreographer and dancing master, through her research (Centre National de la Danse - Aide à la Recherche et au Patrimoine en Danse 2013, 2014, 2016, 2020), she contributes to the diffusion of ancient dance, from the sixteenth to the nineteenth centuries, during workshops in France and Europe, pedagogical and choreographic actions in schools and conservatories.
Since 2020, she has been choreographer and performer of the company Danses au (Pas)sé(Le Ballet des 5 Sens, a young audience performance).

Pierre-François DOLLÉ

Pierre-François Dollé, after a multidisciplinary training at the Balettakademie in Cologne, he danced very contrasting repertoires within different companies which led him to work, among others, in Germany and England. Back in France, he obtained his DE as a dance teacher and crossed paths with Christine Bayle, with whom he created many ballets. He also dances for the company l'Eventail, and works with many choreographers, directors and conductors of the baroque stage. In various styles, he now has a sustained activity of choreographer, notably in collaboration with the company Cracovia Danza, the Arts Florissants or for productions in Japan, United States and Germany. He founded Cie Fantaisies Baroques, with Irène Feste, in 2007. In 2013, 2014, 2016 and 2020, he obtained the Aid for Research and Heritage in Dance from the Centre National de la Danse for research on dances from the early 17th century and on Empire and pre-Romantic styles.

All our instructors are PRO DA members :

LOCATION

Located on rue Geoffroy l'Asnier in the 4th arrondissement of Paris, Micadanses studios are equipped and made available to amateur and professional dancers to host rehearsals, workshops, workshops and other meetings around dance.

FEES

Teaching Fees (€/pers.) : 

1 workshop  (15 hours) : 195 €

2 workshops (30 hours) : 360 €

HOW TO GET THERE

Micadanses studios are located at different numbers on Geoffroy l'Asnier Street. Numbers and access codes will be communicated to you later after your registration.

REGISTRATION

Registration confirmation is confirmed by returning the registration form together with the amount of the deposit.

Registration form COURSE n° 1 (July, 17 to 21): Course n° 1 Registration Form

Registration form COURSE n° 2 (July, 27 to 31): Course n° 2 Registration Form

CONTACT

contact@chestnut.fr ou 0033 660 222 321

FLYERS

Due to the current health crisis and despite our attachment to the Tapis Vert in Normandy and the welcome of Jean Galodé, its director, the 6th edition of the summer courses of historical dance organized by CHESTNUT will take place this year in Paris.

A good opportunity to experience Paris differently ! ....

This 6th edition retains all the advantages that make the success of these Summer Courses for 5 years! :

- 2 courses, 2 repertoires, 3 workshops 

- the possibility to build your program according to your tastes and your energy. According to your wishes, you can concoct an intensive program (with a maximum of 6 hours of lessons/ day) or alternate in your day the moments of workshop with moments of relaxation or visit in Paris or its surroundings.

- studios adapted to the practice of dance

- a training place close to many cultural sites (Micadanses studios are close to the City Hall)

Please find all détails on chestnut website 

1. Periods and contents

2. Schedule

3. Workshop description

4. Instructors

5. Location

6. Fees

7. How to get there

8. Registration

9. Contact

10. Flyers

PERIODS and CONTENTS

1. COURSE n° 1 from Saturday 17 to Wednesday 21 July

• 1. English Country Dances / Cécile Laye (Chestnut)
• 2. Baroque dances / Irène Feste (Danses au (Pas)sé) 

2. COURSE n° 2 from Tuesday 27 July to Saturday 31 July

• 1. English Country Dances / Cécile Laye (Chestnut)
• 2. Baroque dances / Pierre-François Dollé (HéliosKine)

WORSHOPS' DESCRIPTION 

COURSE n° 1 from Saturday 17 to Wednesday 21 July

1. English Country Dances (3 hours / day) / Cécile Laye 

Programme: "Homonymous dances"

They are dances using the same music for different choreographies from ancient and modern repertoire: Le Basque (Cécile Laye); Kneeland Romp (Gary Roodman);Virgin Frolick (The Dancing Master, 1710);Hand to hand (Gary Roodman); The Merry Milkmaids (The Dancing Master, 1651 and 1728 versions) ; A trip to Macclesfield (Brian Wedgbury); An Enchanted Place (Antony Heywood); two versions of Drapers Gardent (The Dancing Master, 1706) including one in menuet steps.

and / or

2. Baroque dances (3 hours / day) / Irène Feste 

Programme: "Unique choreographic scores"

• Entrée de l’Amiral de France en 1756 par M. Dupré (FL/Ms20.1/01)
• La Nouvelle Bourrée des Princesses par M. Rameau (FL/1728.1/14)

The singularity of these scores comes from the fact that they are the only dances choreographed, respectively by M. Dupré and by Pierre Rameau, which have reached us to this day.
Each of these choreographic scores is in a collection to learn the art of writing or describing dance.
After Raoul-Auger Feuillet’s “Chorégraphie….” in 1700, other dance masters tried to write a method.

La Bourrée des Princesses by Mr. Rameau, a dance for a man and a woman, is featured in the “Abrégé de la nouvelle Méthode dans l’Art d’écrire ou de tracer toutes sortes de Danses de Ville…” , by Pierre Rameau, published in 1728.

The Entrée de l'Amiral de France by M. Dupré, is described and noted in the “ Méthode pour apprendre de soi-même la Chorégraphie, ou l’Art de décrire…” , de Dupré, Maître à danser au Mans, published in 1757.
This is a ballet entrance for a man, quite approachable for a woman!
We will also see together that there is a surprise.

COURSE n° 2 from Tuesday 27 July to Saturday 31 July

1. English Country Dances (3 hours / day) / Cécile Laye 

Programme: "From the Grand Square to the Square of Mahony"

From the old and modern directories, we will work on the evolution of a figure from the 17th century to the present day.The program will allow dancers to work with different aesthetics and proposals. The following dances will be included: Hunsdon House (The Dancing Master, 1670); Little Hunsdon (Pat Shaw); Les Lanciers (Alexander Strathy version, 1822); La Beaudri (La Cuisse, 1762);Cupid’s Garden (Marjorie Heffer); Play to win (Antony Heywood); Mary K (Gary Roodman)

and / or

2. Baroque dances (3 hours / day) / Pierre-François Dollé

Programme: "Les Caractères de la danse, fantaisie musicale de Jean-Fery Rebel"

After a gentle warm-up, mixing a moment of relaxation and body reconnection with progressive stretches, we will tackle together the technique of the «Belle Dance», returning to the fundamentals of all the steps necessary for the easy practice of this technique.

In a second time, we will explore the famous «Caractères de la danse», musical fantasy of Jean-Fery Rebel, a kind of exercise of style, which unfolds, like a thread of Ariane, most of the dances of ball and theatre in use in the first quarter of the eighteenth century.

After a prelude allowing the customary reverences, we will have pleasure to dance the Courante, the Menuet and the Bourrée, ball dances par excellence, then to travel in a lively and dense Chaconne, a Sarabande, a Gigue, a Rigaudon, a Passepied, a Lourre, a pastoral Musette to finish with an Italian Sonata, a sort of window open to a new fashion to come

These Characters of Dance were performed by many artists in the 18th century, including the dancers Marie Sallé and Marie-Anne de Camargo, who choreographed and danced them on the French and English stages in particular.
When Marie Sallé moved the audience with her sensitivity and charm, the Camargo impressed the Parisian public with its mastered technique, its jumps and its chats!

It is this whole range of intentions and styles that, in a choreography created by myself, in an idea of progression, we will study together, for the pleasure of dance, movement and the emotions that dance gives us.

Let’s dive together into these famous «characters», mythical piece if any!

INSTRUCTORS

Cécile LAYE

Cécile Laye is CHESTNUT’s teaching and artistic director. She studied old dance forms in England with the Dolmetsch Historical Dance Society,  Nonsuch History and Dance and EFDSS (English folk Dance and Song Society). She worked in particular under such famed teachers and researchers as  Anne Daye, Anne Cottis, Peggy Dixon, Ethyl Anderson, Marjorie Fennessy, Tom Cook and Alan Davies. In France she studied with Francine Lancelot, Andréa Francalancci and Barbara Sparti. At the end of the eighties, she founded AMARILLIS, a dance company meaning to bring to the public figure dances of the Stuarts’ time and the English inheritance, as well as some aspects of history and literature, with the collaboration of musicians and singers. AMARILLIS was replaced by CHESTNUT in 1998. CHESTNUT took over its predecessor’s artistic activities (creating dance and theatre shows), its teaching (preparing dancers for Balls through a rich program of workshops and classes) and its publication ones (CDs, dance descriptions, articles on Playford and modern dances). Over the years, Cécile LAYE has build up a strong experience as a dancing master and ball caller (French Renaissance balls/ English figure dances balls, or a mixture of both). She can pass on her taste for and pleasure in elegant dancing to beginners as well as seasoned dancers. Besides her activities in the field of dancing, Cécile Laye studied dramatic art and staging, graduating at Cours Florent. She also graduated at Eva Ruchpaul’s Yoga Institute and the Paris school of Gestalt-therapy. She played Shakespeare, Molière and Marivaux in Paris and elsewhere in France and takes part in creating new plays and shows, for children in particular. She draws on both sides of her extensive training, physical and artistic, to develop her teaching method. Her constant aim is to understand the needs of a given group and of each person making up the group, to build up a class so that each person gradually understands the dance, becomes aware of his/her body and its expressive capacities, be it during a lesson, a ball, or on stage.

Irène FESTE

From an early age, Irène Feste trained in classical dance with J. Pelletier, Y. Meyer, S. Prince and M. Denard.After a Master Engineer in Telecommunications and Networks and her Diploma of teacher of Classical Dance, she discovered Belle Dance and Baroque Eloquence awith the Cie L'Eclat des Muses de C. Bayle (Le Ballet de la Merlaison).She was introduced to the Italian Renaissance style with B. Sparti and G. Giordano. She is a performer in France and at the International for: Divertimenty, Les Corps Eloquents, Le Baroque Nomade, La Tempesta, Doulce Mémoire, Il Ballo and is choreographer-interpreter of Cie Fantaisies Baroques, co-founded with P.-F. Dollé (Danceries en Fables, L'Ile des Esclaves, 1717: Les Honneurs faits au Tsar, Métamorphoses - le Chat Botté...) In 2013 and 2019, she choreographed for director Pascal Ruiz: Le Masque d'Or, Le Secret des Mémoires. In 2015, she participated in the BBC’s The King who invented Ballet, for the tercentenary of the death of Louis XIV. Artist performer, choreographer and dancing master, through her research (Centre National de la Danse - Aide à la Recherche et au Patrimoine en Danse 2013, 2014, 2016, 2020), she contributes to the diffusion of ancient dance, from the sixteenth to the nineteenth centuries, during workshops in France and Europe, pedagogical and choreographic actions in schools and conservatories.
Since 2020, she has been choreographer and performer of the company Danses au (Pas)sé(Le Ballet des 5 Sens, a young audience performance).

Pierre-François DOLLÉ

Pierre-François Dollé, after a multidisciplinary training at the Balettakademie in Cologne, he danced very contrasting repertoires within different companies which led him to work, among others, in Germany and England. Back in France, he obtained his DE as a dance teacher and crossed paths with Christine Bayle, with whom he created many ballets. He also dances for the company l'Eventail, and works with many choreographers, directors and conductors of the baroque stage. In various styles, he now has a sustained activity of choreographer, notably in collaboration with the company Cracovia Danza, the Arts Florissants or for productions in Japan, United States and Germany. He founded Cie Fantaisies Baroques, with Irène Feste, in 2007. In 2013, 2014, 2016 and 2020, he obtained the Aid for Research and Heritage in Dance from the Centre National de la Danse for research on dances from the early 17th century and on Empire and pre-Romantic styles.

All our instructors are PRO DA members :

LOCATION

Located on rue Geoffroy l'Asnier in the 4th arrondissement of Paris, Micadanses studios are equipped and made available to amateur and professional dancers to host rehearsals, workshops, workshops and other meetings around dance.

FEES

Teaching Fees (€/pers.) : 

1 workshop  (15 hours) : 195 €

2 workshops (30 hours) : 360 €

HOW TO GET THERE

Micadanses studios are located at different numbers on Geoffroy l'Asnier Street. Numbers and access codes will be communicated to you later after your registration.

REGISTRATION

Registration confirmation is confirmed by returning the registration form together with the amount of the deposit.

Registration form COURSE n° 1 (July, 17 to 21): Course n° 1 Registration Form

Registration form COURSE n° 2 (July, 27 to 31): Course n° 2 Registration Form

CONTACT

contact@chestnut.fr ou 0033 660 222 321

FLYERS